Tomorrow we’ll present and be present at Brekend beeld in Utrecht, the Netherlands. Nine inspiring thinkers and makers share their views on the current state of journalistic design. Brekend beeld promises to be an evening full of zeal, discussion and calls for action for the audience.
Participants are NRC, ACED, Grrr, Underware, PersgroepUX, de Correspondent, Cyanne van den Houten and Ted Struwer.
Date: 18 Januari 2018; 19:30 – 22:00
Location: Kapitaal, Utrecht, the Netherlands Free entrance
Catch us the coming weeks in Germany and Poland. Next week we’ll be at HAW Hamburg (10 Oct), and the next day we’ll be the Hochschule in Wismar (11 Oct). At the end of the month we’ll do a workshop at Eugeniusz Geppert Academy of Art and Design in Wrocław in Poland (30 Oct). Our evening lecture will also be the end of the Wrocław Type Forum (30 Oct, 11:00 – 19:00), one day jam-packed with type. Join us if you’re around.
In two days, the 27th of Sept, we’ll read from a newspaper at Type Amsterdam. Other speakers include Rob Saunders (Letterform Archive), Liza Enebeis (Studio Dumbar), Janno Hahn, Pieter Boels (Antwerp Type Society) & Aleksandra Samulenkova, and hopefully Gerard Unger will also be present. Six short presentations about typography and type design in a compact afternoon. As this events always sells out quickly, tickets cannot be acquired anymore. But do sign up for their mailing list in case you don’t want to miss out on the next Type Amsterdam.
These are exciting times in the font world. “Variable fonts” are the magic words in type technology these days, and interpretations of its meaning interpolate from one extreme to the other. This new, evolving technology offers as many possibilities as well as challenges and problems. Therefore this is the right time to question future conventions. At least, this is what we tried last Saturday in our talk If you want something new, you have to stop doing something old at TypoLabs, Berlin.
Within less than an hour we’re exploring the options of just 1 interpolation axis. And what happens if there are 26 axes to play with? And hey, what happens if we put 241 axes in the game? You probably can’t imagine yet what these possibilities are. And what can happen if you add the remaining 63759 axes to the game? How much could actually fit in a font? How intelligent can letters be? And aren’t there any other ways to design type? Or to use type? Questions, questions.
Note: because the word ‘variable’ should of course be differently pronounced every time, we’re already practising for next time.
Currently the Safari Typo documentaries of Thomas Sipp are on show in the Musée des Arts Décoratifs, located in western wing of Palais du Louvre, Paris. In case you didn’t have the opportunity to be present at last week’s presentation in Amsterdam, the Graphic Design Festival in Paris might be the right opportunity for you. Accompanied by a small exhibition of our printed Safari Typo Amsterdam guide, all episodes can be viewed until 5 February 2017. Mais bien sûr!
And in case you hadn’t been able to make it to Amsterdam or Paris in time, the internet will save you. The French TV channel Arte has released all Safari Typo documentaries of Thomas Sipp at its own website: arte.tv/safaritypo
An evening full of short documentaries about typography in public space & book presentation
We all know the famous HOLLYWOOD lettering, but what makes these letters unique? Can the character of a city be told by the letters in public space? In which aspect is the typography in Barcelona different than in Berlin? And why do those strange, unorthodox geometric and decorative display letters perfectly fit to Amsterdam? Join us 20 January 2017 for an evening full of short documentaries about typography in public space.