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Saturday 15 Oct 2022 we’ll give a talk titled Rule of Three at the InScript festival, a 5-day festival on the overlap of typography and technology. As the organisation puts it: “The five-day festival will showcase portfolios and behind-the-scenes among top design practitioners working with artificial intelligence, augmented and virtual realities, dimensional typography, creative coding, physical computing, and innovative use of traditional craft.” All lectures will be streamed online, so you can follow this inaugural event from anywhere in the world. In case you want to be inspired by 30+ speakers in the world of contemporary experimental type, sign up at inscript.tf
▶ Rule of Three
Lecture by Underware at InScript
Saturday 15 October 2022
Register & watch online at inscript.tf
Instead of presenting our recent findings and points of views in a lecture, we’ve used the opportunity of giving a lecture to develop new findings and points of views in recent years. A satisfactory turnaround in approach. Contemporary technological developments not only affect the design process (not only of letters, but of any design process), but also have an impact on how letters are used, and what a letter is. A lecture is a good moment to reflect on this, by developing new thoughts, making new demos, sketching new ideas, or making new designs.
Coming Thursday 7 July 2022 we’ll give a lecture at the International Conference on Typography and Visual Communication in Thessaloniki, Greece. This time we’re gonna explore what’s inside the letter.
Thursday 10 March 2022 we’ll give a lecture at the Printemps de la Typographie, organised by l’école Estienne in Paris. Those who can remember previous editions, that’s before the pandemic, will remember we gave a lecture a the last 2 editions of this one day seminar. As usual we only understand what we’re doing while we’re doing it, and we came to the conclusion that we’ve actually been telling one long story at the Printemps de la Typographie, started in 2019, continued in 2020, and we’re gonna finish that story in 2022 with the lecture ‘Homo Scriptus’. Therefore it would be a pleasure to see you coming Thursday in Paris at the final episode of our Pen Triptych. Other lectures by Emmanuël Souchier, Charles Gautier, Gabriele Cepulyte, Jean Alessandrini and Olivier Nineuil, Sophie Cure, Esther Szac & André Baldinger.
Tickets and more info here.
Coming Friday, 6 Nov, we’ll start something new. Inspired by our Berlin Triptych (2017-2019), a series of three lectures in which every lecture continued where the previous lecture had ended, we’re gonna start a new series of 3 joined lectures which tell one longer story. But where the Berlin Triptych (I, II, III) was focused on the subject of letters, this new triptych explores the pen.
The first part of this new triptych, named “The Pen”, will be presented this week in Mexico at the Tipografía México conference, and can be watched online for free. The second part (“The Wheel”) and third part (“Homo Scriptus”) of the triptych are still to be announced.
Fri 6 Nov. 2020
Underware lecture: The Pen
(The Pen Triptych part I)
🇲🇽 12:00 (CST) Mexico 😎
🗽 13:00 (EST) New York ☀️
🇪🇺 19:00 (CET) Berlin 🌧
🇮🇳 23:30 (IST) Mumbai 🌛
🇯🇵 03:00 (JST) Tokyo 🌚
Broadcasted for free
15-minute introduction to grammatography
If you’ve never heard about grammatography, but if you are interested in writing, fonts, scripts, or typography, then this presentation about a new way of writing is for you.
This 15-minute introduction to grammatography was broadcast 25 Sept 2020 during the Typewknd-conference, and is now available for anybody to watch. The video is accompanied by a quick write-up for even better understanding of this new subject. For 🤯 check the complete case study Grammatography!
(ps. Original trailer here)
On Friday 8 November 2019 we’re gonna complete our Berlin Triptych, with a lecture at Creative Mornings in Berlin. In the past 2 years we gave a lecture once a year in Berlin which was part of a triptych. What started in 2017 with the first lecture “If you want something new, you have to stop doing something old”, was followed by the second lecture in 2018 titled “Export Future”. The triptych will now be completed with the third and last lecture in this series titled “Into the Void”.
Three lectures filled with developments, ideas, concepts, approaches, sketches, thoughts, perspectives, and mostly questions, in this case focused on letters, but they apply to other subjects too. During the first 2 lectures of this Berlin Triptych various typographic ideas – for example Font Fiction, Higher Order Interpolation or the SuperFont™ – were introduced. Next week Friday we gonna see where this journey will end up.
If you missed out on the first 2 lectures, don’t worry. You can either still do your homework and watch them online before you attend (see links above), or completely surprise yourself and attend the third lecture without any previous knowledge. We’ll leave that up to you.
Into the Void
Underware’s Berlin Triptych III
Venue: Creative Mornings Berlin
Date: 8 November; 08:30 o’clock
Location: Native Instruments, Schlesische Str. 29-30, Berlin
Tickets will be on sale from Monday 4 November 10:00 o’clock at the Creative Mornings website: Register.
If you’re in the mood to join us on our typographic trip, we would enjoy seeing you in Berlin next week. (And we would like to thank Jürgen Siebert for enabling Underware’s Berlin Triptych)
We’ve just returned from our Right To Write Tour in Japan. Besides of an exhibition at Print Gallery in Tokyo, and a workshop at the Temple University in Tokyo, we gave 4 lectures in Tokyo and Osaka in which we presented grammatography, and introduced Grammato.com. Instant updates during the tour don’t happen on this blog, but on our Twitter or Instagram account. So follow those in case you want to see more snippets. However, for those who are curious to know more about grammatography, the video of our talk titled Grammatography at the ATypI conference in Tokyo is now online. Featuring live writing, as future is written. Enjoy! (ps. At the interpreter’s request we tried to speak slowly…)
Get ready for grammatography in our Right To Write Tour. Next week we’ll have 4 lectures, a workshop and an exhibition in Japan. We don’t give workshops that often anymore these days, and an exhibition of our work is definitely rare. So feel free to drop by if you’re around Tokyo or Osaka.
|2019.09.05||Lecture Grammatography • ATypI • Tokyo • 18:30|
|2019.09.06||Workshop Causal Writing • Temple University • Tokyo • 14:00|
|2019.09.07||Lecture From Typography to Grammatography (English-Japanese translation) • Print Gallery • Tokyo • 15:00|
|2019.09.07||Exhibition From Typography to Grammatography • Print Gallery • Tokyo • 6-8 september 2019 • Opening 7 september • 17:30|
|2019.09.08||Lecture Page Not Found • Book & Design • Tokyo • 13:00|
|2019.09.10||Lecture Right To Write • Enokojima • Osaka • 18:00|
We would like to thank Gerry Leonidas & Ian Lynam, who enabled the events in Tokyo, and Duncan Brotherton & Tetsuya Goto, who enabled the lecture in Osaka.
The end of peninsularity – typeworkshop in Barcelona
The first week of July brings the opportunity to expand your skills and brains with a type design workshop in Barcelona. Type designers are masters of the black and white 2D universe. But what is that 2-dimensional Cartesian world actually? Can 2D be approached in another way? And if you do that, what are the consequences for your (type) design process? This subject is gonna be explored coming July in Barcelona (Spain) during a 5-day in-depth type workshop, where the fundament of designing letters will be questioned and investigated. This workshop is suitable for aspiring type designers who already have a little bit of experience, already made a font themselves in the past, and who are ready to open their mind and expand their skills within an enthusiastic group of people. They will leave the workshop not only with more knowledge, but also with an expanded view on their own type design process.
Only recently it has become clear that from now on type designers aren’t any longer just designing outlines of fonts, but are mostly designing relations between outlines of fonts. Therefore interpolation will become increasingly relevant in the future of type design, and will logically be an essential aspect within this workshop. During this workshop we’re not only going to explore the design of letters (hands-on), but also explore the space in which those letters relate to each other (brains-on). Designing the design, as well as designing the design space these designs live in. And that – well… if everything works out – leads to another, innovative way of looking at your design.
Improve your type design skills in Barcelona this summer
Organisation: Elisava, Barcelona School of Design and Engineering
Date: 1-5 July 2019
Instructors: Joancarles Casasín (TypeTogether) & Bas Jacobs (Underware)
Limited amount of seats available. Registration is now open: type.elisava.net
Tomorrow the 2-day conference Printemps de la typographie will take off in Paris. This is the 10th edition, organised by École Estienne, featuring 14 lectures in just 2 days. Our most recent lecture “The end of self-evidence” has evolved, and so has the accompanying publication (which will be free for all attendants). Both will be presented in Paris coming Friday, so we hope to see you there. You can find more information about the conference on the website of École Estienne: ecole-estienne.paris